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Foreshadowing

복선

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Foreshadowing is planting a hint of a later event in advance, so that when the payoff arrives the reader thinks, 'that is why that scene was there.'

Also written as: 복선 깔기 · 복선 회수 · setup · planting · 伏線

Meaning

Foreshadowing is planting a later event in advance. Chekhov's rule that a gun hanging on the wall in act one must fire in act three is the most famous statement of it. Ideal foreshadowing is passed over on first reading and visible only in hindsight. A planted hook deliberately makes the reader ask "what is that?"; foreshadowing is placed quietly enough that no question is asked at all. The payoff is the moment the foreshadowed thing comes true.

Why it matters

Foreshadowing gives an ending its legitimacy. A twist without it looks like a card the author pulled late, and readers feel cheated. With it, the same twist reads as inevitable. It also creates rereading: a reader who knows the ending going back to hunt for the hints is the highest compliment a long work can receive. In serials running hundreds of episodes, unmanaged foreshadowing gets forgotten by the writer. Keeping a "planted / payoff planned for episode N" list in the story bible is a necessary habit.

Example

Episode 12: Grandmother never let anyone open the bottom kitchen drawer. Yuri assumed it held old photographs and paid no attention.

Episode 48: The night after the funeral, Yuri opened the drawer. Not photographs: a bankbook. The account was in Yuri's name. The first deposit was the month she was born. The last was the previous week.

Episode 12 includes Yuri's guess ("photographs") so the reader passes over the drawer too. Episode 48's payoff overturns the guess and explains why the drawer was locked through the deposit dates.

Common mistakes

  • Foreshadowing that shouts. "I did not know it then, but this was where everything began" is a trailer, not a hint. Mix it into ordinary detail.
  • Planting without paying off. A gun that never fires breeds resentment. Delete unused setups in revision.
  • One hint per twist. A major twist needs three or more: one the reader misses, one they half-notice, and one they confirm when they look back.
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